“Daughters Who Walk This Path” as a bildungsroman about feminist assertiveness | Daniel Whyte

Ode to the letter ‘K’ | Henneh Kyereh Kwaku

Twelve Hours To Christmas | Adedamola Kolawole

Call for Submissions | Memory | Agbowó July 2020

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"Art washes away from the soul the dust of everyday life.” More...

Ode to the letter ‘K’ | Henneh Kyereh Kwaku

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14 January

after Aracelis Girmay What is your name? You say. I think of the time my High School Senior said...

Call for Submissions | Memory | Agbowó July 2020

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1 January

If one prods the origins of most great works of art, one will find they were created to exorcise or...

Where Is My Visa? | Adewale Ajayi

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25 November

By which visa did my fathers, millions of human cargo, mangled in cargo holds In the belly of time machines...

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The World Has Made Me So | Salam Wosu

mother, before you hallow my skin with kisses and warm tears tell me if I am a disease this world has made me so tell me, why...

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Vertigo | Adams Adeosun

Alheri is standing on a ledge on the seventh floor of a seven-storey hotel she helped design. It was her who sat at a drawing board for...

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Dear John | Osinachi Great

By the time you read this letter, I would be long gone. You probably have most likely noticed my deserted room by the time you before seeing...

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To the friend who says, ‘Stop the crocodile tears na; you don’t know her personally’—here’s why I mourn Toni Morrison. | Henneh Kyere Kwaku

I have not read any meaning of blood that is complete, but the many meanings when they come together become one complete verse of belonging. When I...

POETRY

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Ode to the letter ‘K’ | Henneh Kyereh Kwaku

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Call for Submissions | Memory | Agbowó July 2020

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Where Is My Visa? | Adewale Ajayi

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Asking Myself about Love | Akinwale Peace Akindayo

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Base Four | Joseph Akinnawonu

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ESSAYS ON AGBOWO

“Daughters Who Walk This Path” as a bildungsroman about feminist assertiveness | Daniel Whyte

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21 January

Call for Submissions | Memory | Agbowó July 2020

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1 January

What It Means To Love | Segun Agbaje

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17 October

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The Reality of Colourism | Rebone Masemola

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Twelve Hours To Christmas | Adedamola Kolawole
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- 6 January
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I’d gladly pick fetching water with a spoon over doing laundry any day. But it’s 6:01 AM and I’m already padding around my room, sorting through my heap of dirty clothes and selecting a music playlist of Meghan Trainor’s songs on my phone to keep me company through the arduous task ahead. I ...

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Call for Submissions | Memory | Agbowó July 2020
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- 1 January
The Pain I Give | Tohib Adejumo
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- 15 November
The Albino of Small London | Olamide Àdìó Olanrewaju
- by admin
- 7 November
The Worldwide Room | Amirah Al Wassif
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- 15 October
Vertigo | Adams Adeosun
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- 10 October
Dear John | Osinachi Great
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- 8 October

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Call for Submissions | Memory | Agbowó July 2020
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- 1 January
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If one prods the origins of most great works of art, one will find they were created to exorcise or archive a memory. Okigbo does the latter for Kepkanly, a school teacher. Adichie, it can be argued, wrote Half of a Yellow Sun (at least in part) to re-exorcise the collective tribal memory of the ...

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Six Paintings And Two Experiments With Textile | Lasode Opemipo
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- 27 August
Sunset Memories | Adedayo Agarau
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- 25 July
Welcome To Agbowó
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- 22 July

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